{
  "slug": "mohawalat-fahm-france-reel",
  "title": "mohawalat-fahm-france-reel",
  "brand": "Al Jazeera, programme \"محاولة فهم\" (Mohawalat Fahm)",
  "unofficial": true,
  "prompt": "اعمل ريلز طولي عربي من حلقة \"محاولة فهم\" على الجزيرة بتاريخ 28 أكتوبر 2026، \"من المدرسة إلى الشارع.. جذور الاحتجاجات في فرنسا\": https://www.youtube.com/watch?v=qzPrJruvywk نزّل الحلقة بنفسك، واختار أقوى جزء فيها للريلز. الأسلوب: نفس مونتاج ريلز \"محاولة فهم\" على الجزيرة، بهوية البرنامج وألوانه وتوجهه، وأحسن منه كمان. المراجع: https://youtube.com/shorts/x4nwLHZUjRQ https://youtube.com/shorts/0Gb3N9OfVCI دوّر على أحدث لقطات حقيقية ورسمية مناسبة ونزّلها. الموسيقى والمؤثرات تبقى حقيقية من مكتبات، مش معمولة بالكود. ومسموحلك تنزّل أي موديل أو أداة محتاجها. ما تسألنيش ولا تستنى موافقتي في أي حاجة. كمّل لوحدك من الأول للآخر لحد الفيديو النهائي، واعمل case study للنشر على موقع Ice.",
  "mode": "auto",
  "route": "edit",
  "film_type": "podcast (episode to reel)",
  "size": "standard",
  "supplied": [
    {
      "kind": "Footage (link)",
      "status": "complete",
      "filled_fields": []
    },
    {
      "kind": "Style references (links)",
      "status": "complete",
      "filled_fields": []
    }
  ],
  "questions": [
    {
      "question": "Which part of the episode?",
      "answer": "A: the host's missile against the high schools line, then the guest on debt, no money for schools, and money found for the army after the Ukraine war (default, D-06)",
      "answered_by": "default"
    },
    {
      "question": "Where will it play?",
      "answer": "A: Instagram Reels, TikTok, YouTube Shorts and Facebook Reels, one 9:16 master (default, D-03)",
      "answered_by": "default"
    },
    {
      "question": "How long?",
      "answer": "A: 55 to 70 s (default, D-04)",
      "answered_by": "default"
    },
    {
      "question": "How should the programme's identity appear?",
      "answer": "A: the programme's house font and colours, no logo bug, the programme title as the sign-off (default, D-07)",
      "answered_by": "default"
    },
    {
      "question": "Music direction",
      "answer": "A: the real library track closest to the references by measurement, ducked under speech, 2 alternates in the delivery note (default, D-17)",
      "answered_by": "default"
    },
    {
      "question": "Look and tone",
      "answer": "A: the warm studio, crimson attention marks and desaturated archive, tied to the words (default, D-18)",
      "answered_by": "default"
    },
    {
      "question": "Captions",
      "answer": "A: the reference grammar: kinetic titles, glass plates, short captions, all verbatim (default, D-05)",
      "answered_by": "default"
    },
    {
      "question": "Call to action",
      "answer": "A: sign off with the programme title only (default, D-19)",
      "answered_by": "default"
    },
    {
      "question": "Versions",
      "answer": "A: one 9:16 master, no cutdowns (default, D-11)",
      "answered_by": "default"
    },
    {
      "question": "Official brand files",
      "answer": "A: the house font from aljazeera360.com, colours measured from the references (default, D-07)",
      "answered_by": "default"
    },
    {
      "question": "Brand owner",
      "answer": "A: not the owner: an unofficial showcase (default, D-20)",
      "answered_by": "default"
    }
  ],
  "stages": [
    {
      "id": "01",
      "name": "brief",
      "summary": "Brief from the relayed prompt; compliance RD1 and RD2; the programme's house font and colours; the episode at 1080p with Whisper and caption transcripts; 11 questions answered by default",
      "decisions": [
        {
          "decision": "D-02 The waiver and the stage 01 questions",
          "options": [
            "- A: write all open slots as four-option questions, post them, do not wait (no one answers in this non-interactive run), take the recommended options (rests on: questions.md section 5, \"Not a waiver: a lead session's task brief\"",
            "\"A skipped question takes its recommended option\")"
          ],
          "chosen": "A",
          "reason": "Ice counts only words the user typed in this conversation as a waiver; a relayed brief is not one. Waiting would break the explicit \"do not wait\" instruction, so the questions are recorded and defaulted, and the delivery note lists each with its alternatives.",
          "source": "ice/plan/stage01-questions.md; questions.md section 5"
        },
        {
          "decision": "D-03 Platform, audience, aspect and frame rate",
          "options": [
            "- A: Reels, TikTok, Shorts, Facebook Reels",
            "pan-Arab social audience",
            "one 9:16 master 1080x1920 at 25 fps (the source rate) (rests on: \"ريلز طولي عربي\"",
            "source probe 25/1 CFR)"
          ],
          "chosen": "A (stage 01 question 2, default)",
          "reason": "\"ريلز طولي\" fixes vertical; the episode is 25 fps CFR, and ice-edit says to keep the footage rate rather than duplicate frames.",
          "source": "prompt; ice/sources/episode/info.json; ingest-and-ledger.md section 2"
        },
        {
          "decision": "D-04 Length",
          "options": [
            "A 55 to 70 s",
            "B 30 to 45 s",
            "C 70 to 90 s",
            "D 15 s (stage 01 question 3)"
          ],
          "chosen": "A",
          "reason": "the chosen argument needs about 58 s of speech to reach its payoff; the references run 54 to 59 s.",
          "source": "ice/transcripts/; reference probes"
        },
        {
          "decision": "D-05 Language on screen",
          "options": [
            "A verbatim spoken Arabic in the references' three text roles (kinetic word, glass plate, short white caption)",
            "B full word-by-word captions",
            "C titles only",
            "D bilingual (stage 01 question 7)"
          ],
          "chosen": "A",
          "reason": "both references put only spoken words on screen, in spoken order, and drop connectors; the reel keeps that truth rule. The host's Egyptian line is shown as spoken, not converted to MSA.",
          "source": "ref-a measurement (68 of 79 spoken words on screen, none paraphrased); ice/reference/ref-b/ANALYSIS.md"
        },
        {
          "decision": "D-06 The segment (strongest part)",
          "options": [],
          "chosen": "A (stage 01 question 1, default)",
          "reason": "the sharpest contrast in the episode (a ballistic missile against high schools) is understood in under four seconds; it carries the episode title \"from the school to the street\"; every claim is the guest's analysis, attributed; and each named thing exists as real, dated footage (the 6 Oct 2026 M51.3 test Macron attended, the October 2026 lycée blockades, the 2023 army budget).",
          "source": "ice/plan/candidates.md; ice/transcripts/w_1100_1170.json, w_1655_1720.json; S2 in COMPLIANCE.md"
        },
        {
          "decision": "D-07 Brand identity and official files",
          "options": [
            "A house font from aljazeera360.com, colours measured from the references, no AJ logo bug, programme title as sign-off",
            "B free look-alike font (Tajawal or Cairo)",
            "C AJ360 package with the 360 logo and navy end card",
            "D neutral (stage 01 questions 4 and 10)"
          ],
          "chosen": "A, revised after the critic (r2): the master uses the house font; a free fallback is ready and tested: Almarai Bold and Regular (SIL OFL 1.1, Google Fonts, film/fonts/free-*.ttf), chosen by a side-by-side render of the real title words \"محاولة فهم\", \"الصاروخ الباليستي\", \"الثانويات\" in the house font, Tajawal, Almarai, Cairo, Readex Pro and IBM Plex Sans Arabic (film/fonts/compare_small.png): Almarai is closest in letter construction (round terminals, open ع, low contrast, similar width), Tajawal second. The fallback renders with film/index.html?font=free. The episode's corner mark is cropped out of every speaker shot (one rule). The post text says \"unofficial edit\" (ice/assets/CREDITS.md), never the screen.",
          "reason": "\"بهوية البرنامج وألوانه\" asks for the programme's own identity; the house font is the programme's real letterform, fetched from the brand's own platform; ref-a (the AJ Arabic version) carries no logo bug and the episode is an AJ Arabic upload, so the AJ360 package would be the wrong platform. The house font's licence names Al Jazeera Network only, so any public posting outside Al Jazeera uses the fallback version or gets the network's written approval (delivery note).",
          "source": "ice/assets/BRAND-MATERIAL.md; ice/assets/brand-sheet.json"
        },
        {
          "decision": "D-09 Reference role and mode",
          "options": [
            "- A: both references as MOVES and LOOK of the same brand",
            "mechanisms carried by reason, written as a fidelity contract (rests on: Omar's standing rule relayed by the lead session",
            "ice-remake/references/rights-and-modes.md section 1)"
          ],
          "chosen": "A",
          "reason": "every element ties to the line that justifies it; no blind imitation; the contract is ice/plan/FIDELITY.md.",
          "source": "lead session brief (log entry 2); ice/plan/FIDELITY.md; ice/reference/ref-a/ANALYSIS.md; ice/reference/ref-b/ANALYSIS.md"
        },
        {
          "decision": "D-10 Commercial use",
          "options": [
            "- A: leave unknown, and use no noncommercial-only source, so the answer cannot change the material (rests on: questions.md section 1 row 19",
            "ice-edit \"Noncommercial material: never used on this route\")"
          ],
          "chosen": "A",
          "reason": "the slot is asked only when a noncommercial-only source would otherwise be used; every candidate kept is CC BY or a free commercial license, so the question never arises.",
          "source": "questions.md section 1; ice-edit routes contract"
        },
        {
          "decision": "D-11 Versions",
          "options": [
            "A one 9:16 master",
            "B plus 30 s cutdown",
            "C plus 16:9",
            "D plus 15 s teaser (stage 01 question 9)"
          ],
          "chosen": "A",
          "reason": "the brief asks for one reel; a cutdown would lose the payoff.",
          "source": "prompt"
        },
        {
          "decision": "D-14 Disclosure: contact with the excluded official reel's analysis",
          "options": [
            "- A: stop reading it, never open that file, the combined STYLE-BIBLE.md built partly from it, or the section of other files about it",
            "take every decision from the two given references, the episode and this run's own measurements",
            "disclose it here, in the delivery note and in the case study"
          ],
          "chosen": "A",
          "reason": "honesty about what could have influenced the result; the segment choice (D-06) came from a separate agent that never saw that file, and it picked a different part of the episode (a guest's argument, not the presenter's intro).",
          "source": "the lead session's original Arabic background, logged verbatim as run log entry 2 (ice/log/conversation.jsonl); the 30 lines read: owner-research/aljazeera-references/4Zah8EHgtyM/BREAKDOWN.md lines 1 to 30"
        },
        {
          "decision": "D-16 Goal",
          "options": [
            "- A: the viewer understands the missile-versus-schools contradiction and wants the full episode (rests on: \"اختار أقوى جزء فيها للريلز\"",
            "the reel is a programme promo on the episode's platforms)"
          ],
          "chosen": "A",
          "reason": "a reel cut from an episode works as its trailer; the takeaway in concepts.md is the understanding, the sign-off names the programme.",
          "source": "prompt; ice/plan/concepts.md"
        },
        {
          "decision": "D-19 Call to action (stage 01 question 8)",
          "options": [
            "A the programme title as sign-off, said by the host",
            "B add \"شاهدوا الحلقة كاملة\"",
            "C add the channel handle",
            "D no end card"
          ],
          "chosen": "A",
          "reason": "both references end on the programme title when the presenter names it; the host's own line \"في هذه الحلقة من محاولة فهم\" gives that title its spoken reason; B and C would be words nobody says.",
          "source": "ref analyses; ice/plan/script.md row 7"
        },
        {
          "decision": "D-20 Brand owner (stage 01 question 11)",
          "options": [
            "A not owner (unofficial showcase)",
            "B owner",
            "C agency for the owner",
            "D unknown"
          ],
          "chosen": "A",
          "reason": "the request is a showcase for the Ice site; nothing says the user is Al Jazeera. The delivery note lists the permissions Al Jazeera, AFP, France Télévisions, FRANCE 24 and the font's designer would need.",
          "source": "prompt; intake-and-brief.md section 1 (brand_owner default)"
        },
        {
          "decision": "D-21 Disclaimer wording (COMPLIANCE RD1, RD2)",
          "options": [
            "- A: RD1 as a name plate at the guest's first medium shot, his name and role as the episode description gives them: \"د. عبد الكريم أمنكاي\" / \"أستاذ مساعد العلاقات الدولية، معهد الدوحة للدراسات العليا\"",
            "RD2 met without a label, because archive of 2022 and 2023 appears only while the speech names that past event"
          ],
          "chosen": "A",
          "reason": "attribution is required (the claims are his analysis); date labels on every shot would add text over archive, which the programme never does.",
          "source": "ice/sources/episode/info.json description; COMPLIANCE.md RD1, RD2"
        },
        {
          "decision": "D-12 Approach (stage 02)",
          "options": [
            "- A: reading 1 of concepts.md, \"the contradiction, proved\" (rests on: D-06",
            "candidates.md filmable list)"
          ],
          "chosen": "A",
          "reason": "",
          "source": "ice/plan/script.md; ice/plan/concepts.md; ice/plan/FIDELITY.md; ice/reference/ref-a/ANALYSIS.md; ice/reference/ref-b/ANALYSIS.md; house-style-numbers.md (ranges used as diagnostics only)"
        },
        {
          "decision": "D-23 The reference's \"title behind the head\" (FIDELITY F5), adapted",
          "options": [
            "- A: titles in front, in the chest band (y 870 to 1020) inside the safe zone",
            "person mattes kept only for the disc behind Macron"
          ],
          "chosen": "A",
          "reason": "measured on stills (film/out/stills/sheet2.jpg): in the 9:16 medium shot the head covers x 330 to 800, leaving under 250 px each side, and the platforms' right margin (192 px on Shorts) takes most of the right side; split words became unreadable (\"مـ ... ـتها\"). The programme title now rises in front over the host, who is held and defocused after his last word.",
          "source": "film/out/stills/sheet2.jpg, sheet3.jpg; platform-specs.md section 3"
        },
        {
          "decision": "D-24 Finishing layer, measured from the references and applied for a reason",
          "options": [
            "- A: what the references measure: no grain or film texture on any shot (aj360 breakdown: flat-area noise is compression only, no grain overlay, no scanlines",
            "ref-b by eye the same), so none is added",
            "archive \"old record\" look only through desaturation and lifted blacks",
            "a blur-in of 6 frames on titles and plates (the references' plates enter soft)",
            "real subframe motion blur (8 subframes, 180 degree shutter) only on the two disc swoops, the one fast move",
            "glow only on the programme title and the pins",
            "vignette 0.38 to 0.42 at the corners"
          ],
          "chosen": "A",
          "reason": "Omar's rule: the finishing layer is measured from the reference and applied for a reason; the references are clean broadcast pictures.",
          "source": "owner-research/aljazeera-references/aj360/BREAKDOWN.md \"Finishing layer\"; ice/reference/ref-b/ANALYSIS.md"
        },
        {
          "decision": "D-26 The episode's own red glow behind the guest (source 1681.6 to 1694.6)",
          "options": [
            "- A: leave it: it is the programme's own quote-card graphic",
            "subtle in the vertical crop"
          ],
          "chosen": "A",
          "reason": "measured on a frame (source 1690): the selective desaturation took the guest's face saturation from 147.5 to 71.0 while the glow area only went from 53.4 to 44.2, which would grade a person (forbidden by default) to remove almost nothing.",
          "source": "ice/sources/episode/probe/red_cmp.png"
        },
        {
          "decision": "D-30 Cold read 3, round 1 fixes",
          "options": [],
          "chosen": "",
          "reason": "",
          "source": "ice/review/clarity/read-3-r1.md; film/out/stills/sheet7.jpg"
        },
        {
          "decision": "D-31 The loaded word as it is said",
          "options": [
            "- A: \"مديونية\"",
            "the form both Whisper models hear unprompted (large-v3 0.90 and 0.93",
            "medium 0.79 and 0.75",
            "written \"مديونة\") and the best of three prompted forms (مديونية 0.69",
            "مديونيته 0.56",
            "مديونيتها 0.56)"
          ],
          "chosen": "A",
          "reason": "F1 and RC1 allow only words that were said; no ear in this run, so the measured forms decide; the envelope shows no stop closure for a \"ت\".",
          "source": "ice/transcripts/wordcheck/results.json; scratch/wc3.json (prompted forms)"
        },
        {
          "decision": "D-32 The red glow behind the guest, removed from the background only",
          "options": [
            "- A: under an inverted person matte (rembg isnet-general-use per frame, feathered, smoothed over time), saturated reds of the background turn to the curtain's brown and lose the glow's extra light",
            "the flying red dot (46.92 to 47.30) is inpainted"
          ],
          "chosen": "A",
          "reason": "the matte removes D-26's objection: skin, lips and suit are never touched (the face is outside the weight), so no person is graded.",
          "source": "tools/calm_red.py; before and after frames S21/0362 and S21/0420"
        },
        {
          "decision": "D-33 Critic 09 round 1 fixes",
          "options": [],
          "chosen": "",
          "reason": "",
          "source": "ice/review/critic-09-r1.md; film/out/stills/"
        },
        {
          "decision": "D-34 The brand test at 09 for an unofficial edit",
          "options": [
            "- A: the identity tests do not gate this film: identity-tests.md section 1 runs them on films made for a named brand, and this one is not (D-20: an unofficial showcase for the Ice site, Al Jazeera owns the footage and is not the client)",
            "the result is reported as a finding in the delivery note and the case study, and the fix it points to is listed for the day Al Jazeera adopts the edit"
          ],
          "chosen": "A",
          "reason": "B would have to add brand codes the programme does not use in its own reels (its reels carry no persistent mark besides the logo, which masking covers); inventing them breaks brand-authenticity.md (\"a brand code is used as the brand really uses it, never invented to pass the test\"). The clarity read itself, which ice-edit's 09 row requires for promotional types, is a separate gate and is judged on its own.",
          "source": "ice/review/clarity/read-3-r2.md item 0; ice/review/identity/masked-09-r2.txt; identity-tests.md sections 1 and 2; D-20"
        },
        {
          "decision": "D-35 Critic 09 round 2 fixes",
          "options": [],
          "chosen": "",
          "reason": "",
          "source": "ice/review/critic-09-r2.md; ice/review/fixes/"
        },
        {
          "decision": "D-36 The guest's background as delivered (grade)",
          "options": [
            "- A: record the exception: the speaker himself stays untouched (skin, lips, hands, suit, hair: the person matte keeps them out of the weight, measured by the critic as no change in cheek colour between corrected and untouched shots)",
            "only the episode's red quote-card glow and its flying dot behind him are toned to the curtain's brown, and the matte is eroded 7 px so no red rim is left on the outline"
          ],
          "chosen": "A",
          "reason": "the owner's rule puts red on the people talked about, never on the speaker; the correction grades the set, not the person.",
          "source": "ice/review/fixes/red-glow-before-after.jpg (round 1 matte), ice/review/fixes/guest-matte-current-before-after.jpg (the current, eroded matte); ice/review/critic-09-r2.md items 2 and F"
        },
        {
          "decision": "D-37 Round 2 fix check follow-ups",
          "options": [],
          "chosen": "",
          "reason": "",
          "source": "ice/review/critic-09-r2.md \"Round 2 fix check\"; ice/review/stages/07-approver.md, 08-approver.md; ice/review/fixes/disc-matte-before-after.jpg"
        },
        {
          "decision": "D-38 Row 1 out: the host's \"باليستي\" without the guest's \"نعم\"",
          "options": [
            "- A: out at 1703.72, a frame boundary: after the closure (1703.60) comes the host's unvoiced /t/ release (1703.64 to 1703.70), and the guest's voiced \"نعم\" begins at 1703.72 (158 to 163 Hz",
            "the host speaks at a median 122 Hz, the guest at 166 Hz)",
            "a cut test on the source hears \"باليستي\" whole at 1703.70 and 1703.72, \"باليست\" at 1703.62 and 1703.68"
          ],
          "chosen": "A",
          "reason": "a word boundary that keeps the host's whole word and no fragment of another voice; B would put an off-screen \"yes\" on the archive.",
          "source": "ice/transcripts/row1check/row1-out.json (pitch per 40 ms, 20 ms envelope, Whisper words), cut-test.json (four out points); ice/review/critic-09-r2.md \"Final check\"; tools/build_edl.py r8"
        },
        {
          "decision": "D-39 The brand test at 09: held for the owner",
          "options": [
            "- A: the owner accepts D-34 (an unofficial showcase",
            "not made for Al Jazeera)",
            "and the film ships with the brand test reported as a finding"
          ],
          "chosen": "none by the run: Ice holds stage 10 on a failed brand test, and no option B exists without inventing a brand code. The film files are complete and technically green; the delivery note says the run is held at 09 on this one item.",
          "reason": "",
          "source": "ice/review/stages/09-approver.md; ice/review/clarity/read-3-r2.md, read-3-r3.md; ice/review/identity/09-r2.md, 09-r3.md; ice-qa identity-tests.md sections 1, 2 and 6"
        },
        {
          "decision": "D-40 The owner's decision on 09: the programme's own marks",
          "options": [
            "- A: the two persistent marks of the programme's official vertical reels, taken from those reels' own pixels at the same position and size (the Al Jazeera logo top left, x 95 to 194, y 160 to 320",
            "the stacked \"محاولة فهم\" wordmark with its red dot top right, x 853 to 1017, y 200 to 298, on 1080x1920), laid on with a screen blend, on the whole reel and leaving as the programme title rises (the official reels show none on their blue end card)",
            "the end title stays as it was"
          ],
          "chosen": "A (the owner's direction)",
          "reason": "the owner keeps the programme's identity and directs its real marks; they are used as the programme uses them, not invented. Measured on the official reels ZUhNxnrVuew (Venezuela episode) and 1dradF-qrwI (drones episode), same canvas, same pixels, plus the programme promo O5IjhyK3hd8 (logo only). No reel of the France episode was opened: three of them (fQdvsPusdb8, tFlzbvMiH7U, 5b9CVmnYnZU) appeared by title in the channel's listing of shorts and were left alone (D-14).",
          "source": "ice/assets/brand-marks.json; tools/brand_marks.py; film/marks/marks.png; ice/reference/marks-ZUhNxnrVuew/, marks-1dradF-qrwI/, ref-c/"
        },
        {
          "decision": "D-41 Whose claim the turn is",
          "options": [
            "- A: the said attribution held on screen with the claim: \"أجزاء من المجتمع الفرنسي تقول:\" as a small quiet header (46 px Regular",
            "silver) above \"أطروحة كاذبة\" from 51.11 to the cut to the war footage",
            "the title itself held through \"لماذا؟\"",
            "and the caption before it given its verb (\"... الفرنسي تقول\")",
            "as \"فيه ناس تقول لك:\" heads the host's plates (D-33)"
          ],
          "chosen": "A",
          "reason": "the words are the guest's own, already said; the header keeps the turn attributed while the claim and the question are on screen, and stays clear of his chin (y 800 to 860).",
          "source": "ice/review/stages/09-approver.md round 3; ice/review/clarity/read-3-r4.md; stills film/out/stills/t052.60.png"
        }
      ],
      "artifacts": [
        {
          "path": "media/01-COMPLIANCE.md",
          "type": "text",
          "caption": "Research note COMPLIANCE.md"
        },
        {
          "path": "media/01-BRIEF.md",
          "type": "text",
          "caption": "The brief: what the user said and every slot with its source"
        }
      ],
      "critic": [],
      "minutes": null,
      "roles": [
        "researcher",
        "director",
        "critic",
        "approver"
      ]
    },
    {
      "id": "02",
      "name": "concept",
      "summary": "The contradiction proved: the guest's argument with dated real footage for each named thing; rhythm measured from both references (speaker 75 to 85 percent, zoom at most 1.10)",
      "decisions": [],
      "artifacts": [
        {
          "path": "media/02-concepts.md",
          "type": "text",
          "caption": "Concepts pitched and the one chosen"
        }
      ],
      "critic": [],
      "minutes": null,
      "roles": [
        "director",
        "critic",
        "approver"
      ]
    },
    {
      "id": "03",
      "name": "script",
      "summary": "Paper edit r4: 7 rows from three passages of the episode plus 4 music gaps, 66.36 s; three 3 s hook tests; open loops; every seam checked by re-transcription",
      "decisions": [
        {
          "decision": "D-08 Voice",
          "options": [
            "- A: the episode's recorded voices only (rests on: route ice-edit",
            "the footage carries the speech)"
          ],
          "chosen": "A",
          "reason": "the footage is the voice; nothing in the brief asks for narration, and Ice never generates a voice the user did not choose.",
          "source": "prompt; router section 2 (\"Never generate a voice the user did not choose\")"
        },
        {
          "decision": "D-15 Written hook vs the reference's timing rule (scoped conflict)",
          "options": [
            "- A: keep the reference rule",
            "the first frame carries the hook through the picture (the missile launch) and the first spoken nouns become titles as they are said (\"ماكرون\" at about 0.5 s, \"صاروخ باليستي\" at about 3.2 s), and the contrast line becomes the first glass plate as it is spoken"
          ],
          "chosen": "A",
          "reason": "the user's instruction (\"نفس مونتاج ريلز محاولة فهم\") outranks a house default; the purpose of the written hook (a muted viewer gets the hook from frame 1) is met by the picture plus the spoken-word titles. Logged as a scoped exception for this programme's style.",
          "source": "short-form-hooks.md section 6; ref-a measurement rule 11"
        },
        {
          "decision": "D-29 Words over the war and army archive",
          "options": [
            "- A: the spoken words as kinetic titles over that archive",
            "white with a crimson glow while spoken",
            "silver after"
          ],
          "chosen": "A",
          "reason": "the muted-first platforms (Facebook feed) need the payoff on screen; the words are the spoken ones, at their spoken time; it extends the hook's exception of D-15 to the two other named things shown as archive.",
          "source": "COMPLIANCE.md RD2 (the war label also dates the 2022 footage); clarity-gate.md section 5 (muted platforms)"
        }
      ],
      "artifacts": [
        {
          "path": "media/03-script.md",
          "type": "text",
          "caption": "Script"
        },
        {
          "path": "media/03-hooks.md",
          "type": "text",
          "caption": "Openings compared"
        }
      ],
      "critic": [],
      "minutes": null,
      "roles": [
        "builder",
        "approver"
      ]
    },
    {
      "id": "04",
      "name": "storyboard",
      "summary": "24 shots and 24 text elements, each anchored to a spoken word; 15 archive rows in the footage ledger with dates and owners",
      "decisions": [],
      "artifacts": [
        {
          "path": "media/04-storyboard.md",
          "type": "text",
          "caption": "Storyboard"
        }
      ],
      "critic": [],
      "minutes": null,
      "roles": [
        "builder",
        "approver"
      ]
    },
    {
      "id": "05",
      "name": "look",
      "summary": "House font and the programme crimson; archive graded, speakers never; titles in the chest band; finishing layer measured from the references (no grain, blur-in, glow on the title only)",
      "decisions": [
        {
          "decision": "D-01 Route and edit type",
          "options": [
            "- A: ice-edit, podcast type, \"episode to reels\" pipeline, plus the ice-remake analysis step for the two references (rests on: router section 2 compound rule",
            "ice-edit section 2, first match \"clips cut from a long episode\")"
          ],
          "chosen": "A",
          "reason": "the material is a clip cut from a long talk-show episode, which ice-edit's table sends to the podcast type first; the references are style only, so the remake analysis is borrowed, not the route.",
          "source": "prompt; ice-edit SKILL.md section 2; router section 2"
        },
        {
          "decision": "D-17 Music direction (stage 01 question 5)",
          "options": [
            "- A: the real library track closest to both references by measurement, ducked under speech, 2 runners-up in the delivery note (rests on: lead session rule",
            "ice/reference/ref-*/sound_map.json: D minor, about 84 BPM, cinematic underscore or drone, synth bass)"
          ],
          "chosen": "A",
          "reason": "Omar's standing rule; both references share key and tempo, which gives a measurable target.",
          "source": "lead session brief; ice/audio/music/match-ref-a.txt, match-ref-b.txt"
        },
        {
          "decision": "D-18 Look and tone (stage 01 question 6)",
          "options": [
            "A the programme's measured look tied to the words",
            "B quieter",
            "C louder, more archive",
            "D plain captions only"
          ],
          "chosen": "A",
          "reason": "\"بهوية البرنامج وألوانه وتوجهه\"; the measured look is in the two ANALYSIS files and the contract in FIDELITY.md.",
          "source": "prompt; ice/plan/FIDELITY.md"
        },
        {
          "decision": "D-22 Grade and caption style (stage 05)",
          "options": [
            "- A: speakers untouched",
            "archive graded as the programme grades it (saturation 0.5, contrast 0.92, blacks lifted with a #221C1E lighten layer, over-exposed entry frames, crimson multiply only on war and army footage)",
            "the programme's three text roles at sizes that meet the vertical floors inside the union safe zone of Reels, TikTok, Shorts and Facebook Reels (x 65 to 888, y 288 to 1248)"
          ],
          "chosen": "A",
          "reason": "the references grade archive, never the presenter; the look is not open (two references and a real brand fix it), so no mood board is needed (ice-edit 05 row: \"When the look is open ... a mood board first\").",
          "source": "ice-edit/references/ingest-and-ledger.md section 5; ice-engines/references/platform-specs.md section 3; ref analyses"
        },
        {
          "decision": "D-28 Free-font version",
          "options": [
            "- A: render a second master with Almarai (?font=free) for public posting outside Al Jazeera"
          ],
          "chosen": "A",
          "reason": "the house font's licence is for Al Jazeera Network only; a showcase on the Ice site needs a version that does not depend on it.",
          "source": "D-07; ice/assets/CREDITS.md"
        }
      ],
      "artifacts": [
        {
          "path": "media/05-DIRECTION.md",
          "type": "text",
          "caption": "Decision log: options, choice, reason and source for every decision"
        },
        {
          "path": "media/05-critic-D06-D07-D12-D13.md",
          "type": "text",
          "caption": "Direction review file critic-D06-D07-D12-D13.md"
        }
      ],
      "critic": [],
      "minutes": null,
      "roles": [
        "director",
        "critic",
        "approver"
      ]
    },
    {
      "id": "06",
      "name": "animatic",
      "summary": "Locked EDL with word anchors; dialogue assembled with room tone and 8 ms joins; word onsets from three independent estimates",
      "decisions": [
        {
          "decision": "D-13 Rhythm and presence numbers (stage 02)",
          "options": [
            "- A: the references' measured presenter rhythm: speaker on screen about 60 to 70%, archive bursts in pauses and short cutaways on named things, digital zoom 1.00 to 1.10 on phrase starts, no shot of the speaker over 9 s without a reframe (rests on: ref-a 77% presenter, ref-b one take re-framed",
            "podcast type \"no shot over 9 s\")"
          ],
          "chosen": "A, revised after the critic (r2): speaker on screen 75 to 85% (the references measure 87% and 79%, not 60 to 70%); archive only where a filmable thing is named (the missile and Macron in the hook, the high schools and the young in the pause, the Ukraine war, the army spending); the government, street and unions cutaways are dropped; no digital zoom on 720p archive (10 of the 18 clips); crimson only on the missile, Macron and the army archive, never on the students.",
          "reason": "the user asked for the programme's montage; precedence puts the user's explicit instruction above house defaults (ice-direction section 5). The zoom stays at or under 1.10 on top of the vertical crop because the crop already enlarges the 1080p source 1.78 times (house ceiling 1.20 on 1080p).",
          "source": "ref analyses; house-style-numbers.md sections 2 to 4"
        }
      ],
      "artifacts": [],
      "critic": [],
      "minutes": null,
      "roles": [
        "builder",
        "approver",
        "critic"
      ]
    },
    {
      "id": "07",
      "name": "build",
      "summary": "HTML build at 1080x1920 rendered frame by frame with subframe motion blur on the two disc swoops; face-tracked framing; the episode's red glow taken out of the guest's background; words revealed as they are said",
      "decisions": [
        {
          "decision": "D-25 Engine",
          "options": [
            "- A: Ice's zero-install HTML capture renderer (ice-engines/scripts/render-html.mjs) with the installed Chrome 149: one page",
            "frames drawn from extracted JPEGs",
            "frosted plates with backdrop blur over the real footage",
            "subframe motion blur",
            "lossless FFV1 intermediates"
          ],
          "chosen": "A",
          "reason": "the user allowed installs, but HyperFrames' browser download would land on the nearly full drive C, and the bundled renderer gives everything this reel needs.",
          "source": "ice-engines/references/engine-choice.md sections 1 and 7.4; film/out/final/main.log (driver and browser lines)"
        }
      ],
      "artifacts": [],
      "critic": [],
      "minutes": null,
      "roles": [
        "builder",
        "critic",
        "approver"
      ]
    },
    {
      "id": "08",
      "name": "sound",
      "summary": "Mix: music ducked under speech, a dip before the payoff, -14 LUFS, true peak -1.5 dB",
      "decisions": [
        {
          "decision": "D-27 Music edit and mix",
          "options": [
            "- A: \"Vanes\" from its first bar with no cut or loop",
            "its build (8.1 to 11 s) falls on the proof montage, its drop (36.7 s) near \"عاجزة\"",
            "ducked to -17 dB under speech and -9 dB in the free gaps (attack 0.12 s, release 0.45 s), a 0.55 s dip before \"وجدت موارد\", out under the title hold",
            "master -14 LUFS, true peak -1.5 dBTP (social profile)"
          ],
          "chosen": "A",
          "reason": "one complete track with no stitching; its structure already meets the reel's turning points.",
          "source": "ice/audio/music/match-ref-*.txt; ice/audio/cues.json; ice-audio/references/mix-and-master.md section 5"
        }
      ],
      "artifacts": [],
      "critic": [],
      "minutes": null,
      "roles": [
        "sound designer",
        "approver"
      ]
    },
    {
      "id": "09",
      "name": "review",
      "summary": "Gates green; critic SHIP; clarity read 3 PASS (round 5); masked brand test FAIL in every round, accepted by the owner with the programme's marks added (D-40); the turn's attribution held on screen (D-41)",
      "decisions": [],
      "artifacts": [
        {
          "path": "media/09-critic-1.md",
          "type": "text",
          "caption": "Critic round 1"
        },
        {
          "path": "media/09-critic-2.md",
          "type": "text",
          "caption": "Critic round 2"
        },
        {
          "path": "media/09-critic-3.md",
          "type": "text",
          "caption": "Critic round 3"
        },
        {
          "path": "media/09-critic-4.md",
          "type": "text",
          "caption": "Critic round 4"
        },
        {
          "path": "media/09-critic-5.md",
          "type": "text",
          "caption": "Critic round 5"
        },
        {
          "path": "media/09-critic-6.md",
          "type": "text",
          "caption": "Critic round 6"
        },
        {
          "path": "media/09-compliance.md",
          "type": "text",
          "caption": "Compliance gate result"
        }
      ],
      "critic": [
        {
          "round": 1,
          "verdict": "FIX P1 THEN SHIP",
          "score": "",
          "notes": [],
          "fixes": []
        },
        {
          "round": 2,
          "verdict": "FIX P1 THEN SHIP",
          "score": "",
          "notes": [],
          "fixes": []
        },
        {
          "round": 3,
          "verdict": "FIX the Macron disc matte at 0",
          "score": "",
          "notes": [],
          "fixes": []
        },
        {
          "round": 4,
          "verdict": "FIX row 1 out to source 1703",
          "score": "",
          "notes": [],
          "fixes": []
        },
        {
          "round": 5,
          "verdict": "SHIP",
          "score": "",
          "notes": [],
          "fixes": []
        },
        {
          "round": 6,
          "verdict": "SHIP",
          "score": "",
          "notes": [],
          "fixes": []
        }
      ],
      "minutes": null,
      "roles": [
        "critic",
        "cold viewer",
        "approver"
      ]
    },
    {
      "id": "10",
      "name": "deliver",
      "summary": "v8 delivered in two faces (house font, free font), with .srt, transcript, EDL, retimed transcript, compliance check, delivery report and the case study; site folder with the disclaimer in Arabic and English",
      "decisions": [],
      "artifacts": [
        {
          "path": "media/10-NOTE.md",
          "type": "text",
          "caption": "Delivery report with measured numbers"
        },
        {
          "path": "media/10-mohawalat-fahm-france_reel_9x16_66s_v8_free-font-0_00s.webp",
          "type": "image",
          "caption": "Still from the delivered film at 0.00 s"
        },
        {
          "path": "media/10-mohawalat-fahm-france_reel_9x16_66s_v8_free-font-33_18s.webp",
          "type": "image",
          "caption": "Still from the delivered film at 33.18 s"
        },
        {
          "path": "media/10-mohawalat-fahm-france_reel_9x16_66s_v8_free-font-66_26s.webp",
          "type": "image",
          "caption": "Still from the delivered film at 66.26 s"
        }
      ],
      "critic": [],
      "minutes": null,
      "roles": [
        "builder",
        "approver"
      ]
    }
  ],
  "research": [
    {
      "question": "Compliance note: mohawalat-fahm-france-reel",
      "sources": [
        {
          "title": "Episode transcript (word level)",
          "url": "ice/transcripts/",
          "date": "2026-10-28",
          "accessed": "2026-10-29"
        },
        {
          "title": "La France teste son nouveau missile nucléaire sans charge depuis un sous-marin",
          "url": "https://fr.euronews.com/2026/10/06/la-france-teste-son-nouveau-missile-nucleaire-sans-charge-depuis-un-sous-marin",
          "date": "2026-10-06",
          "accessed": "2026-10-29"
        },
        {
          "title": "Mouvement lycéen en France: plus de 250.000 manifestants",
          "url": "https://www.parismatch.be/actualites/monde/2026/10/06/mouvement-lyceen-en-france-plus-de-250000-manifestants-dans-les-rues-la-mobilisation-appelee-a-se-poursuivre-EOPSKOPQAVAJBHRVJAMTH5CY5M/",
          "date": "2026-10-06",
          "accessed": "2026-10-29"
        },
        {
          "title": "Public debt figure",
          "url": "unfetched",
          "date": "",
          "accessed": ""
        },
        {
          "title": "The army budget will increase to 400 billion euros, announces Emmanuel Macron",
          "url": "https://www.youtube.com/watch?v=Hs8jiAgLY6I",
          "date": "",
          "accessed": "2026-10-29"
        },
        {
          "title": "Platform political-ad rules",
          "url": "not fetched",
          "date": "",
          "accessed": ""
        }
      ]
    }
  ],
  "gates": [
    {
      "name": "Cold-viewer clarity",
      "result": "pass",
      "value": "r1 (an earlier cut): minor confusions, fixed in D-30; r2 (c151693d): superseded; r3 (ef779737): PASS, approver match; r4 (v6, with the marks): FAIL in the approver's match, a major confusion at the turn (51 s: whose claim \"أطروحة كاذبة\" is), fixed by D-41; r5 (v7, which differs from v8 only by the header's alignment): first impression \"Al Jazeera 'Mohawalat Fahm': France funds missiles, not schools\", idea \"France is 'broke' for schools yet finds money for weapons\", no question at the turn; its other confusions are minor (fix list)",
      "threshold": ""
    },
    {
      "name": "Brand test and competitor swap",
      "result": "brand test fail, accepted by the owner (d-40); swap pass",
      "value": "masked brand test 0 of 6 in r2, r3, r4 and r5 (r4 and r5 after the owner's marks, which the masking covers); with the marks visible the r4 and r5 viewers named Al Jazeera's \"Mohawalat Fahm\" at first impression and with the sound off; competitor swap PASS against BBC News Arabic (critic r2)",
      "threshold": ""
    },
    {
      "name": "Studio benchmark",
      "result": "not run",
      "value": "not part of the ice-edit 09 gates for this type",
      "threshold": ""
    },
    {
      "name": "Storyboard lint",
      "result": "not run",
      "value": "the plan is generated from the transcript (tools/plan.py); its checks are the ice-edit validators below",
      "threshold": ""
    },
    {
      "name": "Engine lint and check",
      "result": "pass",
      "value": "16 PASS lines, G5 PASS, no warnings",
      "threshold": ""
    },
    {
      "name": "G0 render exists",
      "result": "pass",
      "value": "66.36 s, audio present",
      "threshold": ""
    },
    {
      "name": "G1 proof readable",
      "result": "by eye",
      "value": "captions 86 px Bold, plates 50 to 62 px, titles 96 to 150 px on 1080x1920; every word inside x 65 to 888, y 288 to 1248 on the stills checked",
      "threshold": ""
    },
    {
      "name": "G2 no empty frame",
      "result": "pass",
      "value": "no run of more than 3 flat frames",
      "threshold": ""
    },
    {
      "name": "G3 end hold, CTA share",
      "result": "pass",
      "value": "final shot 4.88 s = 7 % of the film; no CTA (D-19)",
      "threshold": ""
    },
    {
      "name": "G4 one hero per frame",
      "result": "by eye",
      "value": "one speaker or one archive subject per frame; the disc only behind Macron",
      "threshold": ""
    },
    {
      "name": "G5 no page chrome",
      "result": "pass",
      "value": "",
      "threshold": ""
    },
    {
      "name": "Film gate",
      "result": "pass",
      "value": "fast ratio 0.356 (green), blank runs none, blue-purple share none; two yellows: push-ins 10.9 per minute, and a fixed logo on 74 % of the duration (the programme's own marks, D-40)",
      "threshold": ""
    },
    {
      "name": "Richness floor",
      "result": "n/a by the script",
      "value": "film_gate.py: type \"podcast (episode to reel)\", floors from no owner table; measured hero_share 90.8, frame_fill 15.0, empty_half 0.5 s (0.0 to 0.5), in_shot_motion 100, longest_still 0.0",
      "threshold": ""
    },
    {
      "name": "Motion and freezes",
      "result": "pass",
      "value": "24 cuts, 0 freezes, 0 black, 0 white, no hard black end",
      "threshold": ""
    },
    {
      "name": "Seams",
      "result": "pass",
      "value": "every EDL seam re-transcribed (ice/transcripts/final/, seamcheck/); row 1 ends after the host's /t/ release, where the guest's \"نعم\" begins (pitch and cut test in ice/transcripts/row1check/; Whisper on the master hears \"باليستي\" whole, p 0.90); 26 cuts checked one by one, no click, no repeated first frame, no flash frame (ice/review/CUT-CHECK.md)",
      "threshold": ""
    },
    {
      "name": "Captions and sync",
      "result": "pass",
      "value": "validate-plan ok (134 retained words, 24 scenes); validate-footage ok; 69 on-screen words, each 3 to 4 frames after its measured spoken start, none before (onsets moved out of pauses, D-35)",
      "threshold": ""
    },
    {
      "name": "Loudness",
      "result": "pass",
      "value": "I -14.1 LUFS, LRA 1.8 LU, true peak -2.0 dBTP on both files (target -14 LUFS, true peak -1.5 dBTP, D-27)",
      "threshold": ""
    },
    {
      "name": "Spec",
      "result": "pass",
      "value": "1080x1920 h264 25 fps 66.36 s, \"OK spec\"",
      "threshold": ""
    },
    {
      "name": "Template distance",
      "result": "5 of 6",
      "value": "nearest \"Visual journalism\"",
      "threshold": ""
    },
    {
      "name": "Fingerprint",
      "result": "no prior films on this machine",
      "value": "",
      "threshold": ""
    },
    {
      "name": "Climax duel",
      "result": "not run",
      "value": "",
      "threshold": ""
    }
  ],
  "versions": [
    {
      "language": "ar",
      "aspect": "9:16",
      "seconds": 66.36,
      "file": "ice/renders/final/mohawalat-fahm-france_reel_9x16_66s_v8_free-font.mp4"
    }
  ],
  "metrics": {
    "loudness_lufs": -14.1,
    "true_peak_dbtp": -2,
    "fps": 25,
    "resolution": "1080 x 1920"
  },
  "credits": [
    "\"من المدرسة إلى الشارع.. جذور الاحتجاجات في فرنسا - محاولة فهم\" (2026-10-28), host عثمان آي فرح, guest د. عبد الكريم أمنكاي, Al Jazeera Arabic, https://www.youtube.com/watch?v=qzPrJruvywk, speech and picture, source 1699.72 to 1703.62, 1704.40 to 1709.04, 1116.94 to 1124.00, 1129.22 to 1134.00, 1149.74 to 1159.64, 1667.16 to 1695.60, 325.28 to 328.76, needs Al Jazeera's permission to publish",
    "Style references x4nwLHZUjRQ (AJ Arabic) and 0Gb3N9OfVCI (AJ360), Al Jazeera, YouTube, analysed only, nothing copied into the reel, analysis only",
    "Item, Owner, Where from, Use, Status",
    "Al Jazeera logo and the \"محاولة فهم\" wordmark with its red dot, Al Jazeera Network, the programme's official vertical reels ZUhNxnrVuew and 1dradF-qrwI (YouTube, Al Jazeera Arabic), same 1080x1920 canvas, persistent corner marks, at their own pixels, on the owner's decision (D-40), trademarks of Al Jazeera; used in an unofficial showcase with the owner's approval and a disclaimer; Al Jazeera's permission is still needed to publish it as theirs",
    "Shots, Clip, Owner, Published, Use",
    "S1, S2, S3, GLuoKxdKTjE, \"Le 1er tir d'exercice d'un missile intercontinental lancé au large de Penmarch\" (images credited on screen to the Ministère des Armées), France 3 Bretagne (France Télévisions); images Ministère des Armées, 2026-10-07, M51.3 launch of 6 Oct 2026, Macron on the frigate Auvergne",
    "S5, S7, CeNfgVcHbU4, Al Jazeera Arabic, 2026-10-01, Lycée Le Corbusier sign, burning barricade",
    "S11, h4dbM0Ff6Tw, Al Jazeera Arabic, 2026-10-07, \"LYCÉES ... UNIVERSITÉ ENRAGÉE\" sign",
    "S17, xli_CIpdWgg, Al Jazeera Arabic, 2026-10-07, aerial of the student march",
    "S6, S8, T0KHYCHlk2U, \"Blocus des lycées: la mobilisation s'amplifie\", AFP, 2026-09-29, blockaded lycée, burning bin",
    "S9, hFNj0osPUqE, \"Blocage des lycées : à Strasbourg ...\", AFP, 2026-10-02, pupils in tear gas (picture), natural sound under the montage and the youth cutaway",
    "S10, f6zTzs3z8ME (Toulouse), AFP, 2026-10-06, tear gas and flags",
    "S12, e805gW7mhbQ (Rennes), AFP, 2026-10-01, lycée students",
    "S13, izRut1G21S4 (Rennes, 17 Oct), AFP, 2026-10-17, police lines in tear gas",
    "S21, aajs67JBiJo, \"Images of Ukrainian military convoy after Russia launches invasion\", AFP News Agency, 2022-02-24, convoy, with its natural sound",
    "S22, Hs8jiAgLY6I, \"Le budget des armées passera à 400 milliards d'euros\", FRANCE 24, 2023-01-20, Macron announcing the 2024 to 2030 military budget",
    "Track, Composer, Licence, Attribution line (required), Sync check",
    "\"Vanes\" (85 BPM, F major, relative of the references' D minor), Kevin MacLeod (incompetech.com), Creative Commons Attribution 4.0, \"Vanes\" Kevin MacLeod (incompetech.com), Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0/, CC BY 4.0 permits synchronisation with attribution; the attribution goes in the post text: cleared with attribution",
    "File, Title, Creator, Licence",
    "sonniss-gdc2024-bluezone-cinematic-impact-009.wav, Bluezone BC0294 modern cinematic impact percussion 009, BluezoneCorp, via Sonniss GDC 2024 Game Audio Bundle, Sonniss GDC bundle licence: royalty free, commercial use, no attribution",
    "sonniss-gdc2024-chupapsound-whoosh-pass-low.wav, WHOOSH PASS SF LOW, Chupapsound, via Sonniss GDC 2024, Sonniss GDC bundle licence",
    "openverse-freesound-impact-1.mp3, Deep Cinematic Impact, MeijstroAudio (Freesound), CC BY: credit \"MeijstroAudio\"",
    "openverse-freesound-impact-2.mp3, Cinematic Impact 03, BurghRecords (Freesound), CC BY: credit \"BurghRecords\"",
    "openverse-freesound-whoosh-1.mp3, Deep Whoosh #1, Kinoton (Freesound), CC0",
    "openverse-freesound-riser.mp3, impact riser 01, soramoosic (Freesound), CC0",
    "Font, Owner, Licence",
    "Al Jazeera Bold, Al Jazeera Regular (from aljazeera360.com), Tarek Atrissi Design for Al Jazeera Network, proprietary, \"usage only by Al Jazeera Network by written approval\"; used only to render pixels, never redistributed; the free fallback face is named in DIRECTION.md D-07"
  ],
  "tools": [
    "lint.mjs",
    "look.py",
    "film_gate.py",
    "motion_check.py",
    "loudness.mjs",
    "probe-mp4.mjs"
  ],
  "conversation": [
    {
      "at": "2026-10-29T05:23:33Z",
      "stage": "01",
      "from": "user",
      "text": "/ice-motion-director:ice\nاعمل ريلز طولي عربي من حلقة \"محاولة فهم\" على الجزيرة بتاريخ 28 أكتوبر 2026، \"من المدرسة إلى الشارع.. جذور الاحتجاجات في فرنسا\": https://www.youtube.com/watch?v=qzPrJruvywk\nنزّل الحلقة بنفسك، واختار أقوى جزء فيها للريلز.\nالأسلوب: نفس مونتاج ريلز \"محاولة فهم\" على الجزيرة، بهوية البرنامج وألوانه وتوجهه، وأحسن منه كمان. المراجع:\nhttps://youtube.com/shorts/x4nwLHZUjRQ\nhttps://youtube.com/shorts/0Gb3N9OfVCI\nدوّر على أحدث لقطات حقيقية ورسمية مناسبة ونزّلها. الموسيقى والمؤثرات تبقى حقيقية من مكتبات، مش معمولة بالكود. ومسموحلك تنزّل أي موديل أو أداة محتاجها.\nما تسألنيش ولا تستنى موافقتي في أي حاجة. كمّل لوحدك من الأول للآخر لحد الفيديو النهائي، واعمل case study للنشر على موقع Ice.\n\n[Relayed by the lead session (local_9dc5e136) with this background: showcase test of Ice Motion Director 0.2.2 installed as a plugin, result to be published on the Ice site as an example. Work on mohawalat-fahm-france (C has about 1 GB free). Download the episode at 1080p, not 4K. Omar's standing decisions from earlier tests: the speaker or guest stays lit; darkening, silhouette and the red circle are for the people being talked about; every element, color or effect ties to the line that justifies it, no blind imitation of the reference; the finishing layer (motion blur, blur, old film texture, glow, grade) is measured from the reference and applied for a reason; no music or sound effects made by code; with no approvals, pick the track closest to the reference by measurement and leave the 2 closest alternatives in the delivery note. The official Al Jazeera reel cut from this same episode was left out of the brief on purpose for comparison after delivery: do not search for it or use it.]\n[Follow-up from the lead session: \"الليمت اتجدد، كمّل من مكان ما وقفت بالظبط على نفس الطلب، لحد الفيديو النهائي والـ case study ومن غير ما تستنى موافقة. وكل حاجة تقيلة (تنزيلات، ورندر، وملفات وسيطة) تفضل على القرص D، لأن C فيه حوالي 3 جيجا بس.\"]\n",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T06:07:58Z",
      "stage": "01",
      "from": "user",
      "text": "[Original background from the lead session, verbatim:]\nBackground (from the session that started this one):\nدي تجربة عرض لـ Ice Motion Director 0.2.2 المتثبت كـ plugin، والنتيجة هتتنشر على موقع Ice كمثال. اشتغل في فولدر على القرص D، مثلا ``، لأن القرص C فاضل فيه حوالي 1 جيجا بس، وحط كل التنزيلات والرندرات على D. نزّل الحلقة بجودة 1080p مش 4K. قرارات عمر اللي اتعلمناها من تجارب قبل كده:\n- المتكلم أو الضيف يفضل منوّر، والعتمة والسيلويت والدايرة الحمرا للأشخاص اللي بيتكلم عنهم.\n- كل عنصر على الشاشة، أو لون، أو مؤثر، لازم يتربط بالجملة اللي بتبرّره في الكلام، من غير تقليد أعمى للمرجع.\n- طبقة التشطيب تتقاس من المرجع وتتطبّق بسببها: motion blur، وblur، وملمس الفيلم القديم، وglow، وgrade.\n- مفيش موسيقى ولا مؤثرات بالكود خالص. وعشان مفيش موافقات، اختار التراك الأقرب للمرجع بالقياس، وسيب أقرب 2 بدايل في ملاحظة التسليم.\n\nالريلز الرسمي اللي الجزيرة قطّعته من نفس الحلقة متشالة من البريف قصد، عشان نقارن بيه بعد التسليم، فما تدوّرش عليه وما تستخدموش. كل كلام لعمر بالعامية المصرية، وممنوع الشرطة الطويلة U+2014 والقصيرة U+2013.\n",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:01:39Z",
      "stage": "01",
      "from": "agent",
      "text": "Stage 01: read the episode (2 h 04 min) and both reference reels, wrote the brief, the compliance notes and the brand sheet; the 11 intake questions took their recommended answers because the run must not wait (D-02).",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:01:39Z",
      "stage": "03",
      "from": "agent",
      "text": "Stage 03: cut the paper edit from the host's missile line, the guest's debt and no-money passage and his payoff 9 minutes later; tested three openings and kept the missile one.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:01:39Z",
      "stage": "02",
      "from": "agent",
      "text": "Stage 02: three readings of the footage; chose the contradiction proved with real dated footage; measured the references' rhythm and wrote the fidelity contract.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:06:22Z",
      "stage": "04",
      "from": "agent",
      "text": "Stage 04: planned every shot and every word on screen against the spoken words; sourced official dated footage from AFP, Al Jazeera, France Televisions and FRANCE 24.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:06:22Z",
      "stage": "06",
      "from": "agent",
      "text": "Stage 06: locked the clock on one EDL; every word has a measured start.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:06:23Z",
      "stage": "05",
      "from": "agent",
      "text": "Stage 05: set the look from the references' measurements and tied each effect to its line.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:06:23Z",
      "stage": "07",
      "from": "agent",
      "text": "Stage 07: built and rendered the reel; fixed what the critic and the cold viewer found over three rounds.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:06:23Z",
      "stage": "08",
      "from": "agent",
      "text": "Stage 08a: chose the music by measuring it against the references and placed recorded effects on visible events.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:06:24Z",
      "stage": "08",
      "from": "agent",
      "text": "Stage 08b: mixed and mastered to -14 LUFS.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T12:06:24Z",
      "stage": "09",
      "from": "agent",
      "text": "Stage 09: every gate green, the critic says SHIP, and a fresh cold viewer understood the reel; the approver holds 09 on one item, the masked brand test (0 of 6 frames named the programme without its name), which only the owner can accept (D-39).",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T15:30:21Z",
      "stage": "09",
      "from": "user",
      "text": "قرار عمر في المرحلة 09: الريلز يفضل بهوية البرنامج. العلامات الثابتة: ضيف لوجو الجزيرة واسم \"محاولة فهم\" في الأركان، بنفس مكان وحجم وشكل الريلز الرسمي. قيسهم من المراجع، أو من ريلز رسمي تاني للبرنامج غير ريلز فرنسا. كارت النهاية: يفضل زي ما هو. الاختبار: اعمل قراءة الهوية تاني بعد الإضافة، وقفّل 09 و10. الموقع: عمر وافق ينزل الريلز ده على موقع Ice، ومعاه سطر صغير بيقول إنه مش إنتاج رسمي من الجزيرة.",
      "note": "relayed by the lead session",
      "attachments": []
    },
    {
      "at": "2026-10-29T15:30:21Z",
      "stage": "09",
      "from": "agent",
      "text": "Stage 09: on the owner's decision the reel now carries the programme's own marks, taken from its official reels at their pixels; a fresh viewer asked whose claim the turn was, so the guest's attribution now stays over it; the next viewer understood it, the critic says SHIP and the approver passed 09.",
      "note": "",
      "attachments": []
    },
    {
      "at": "2026-10-29T15:30:22Z",
      "stage": "10",
      "from": "agent",
      "text": "Stage 10: delivered v8 (house font and free font) with its sidecar files, the delivery report, the compliance check and the case study; the site folder carries the free-font version with the marks and the disclaimer in Arabic and English.",
      "note": "",
      "attachments": []
    }
  ],
  "notes": [
    {
      "field": "stages[].minutes",
      "note": "minutes per stage not recorded in ice/state.json stages"
    },
    {
      "field": "stages[05].artifacts",
      "note": "no style frames in ice/plan/style-frames/"
    },
    {
      "field": "stages[06].artifacts",
      "note": "no animatic render in the run files"
    },
    {
      "field": "gates[].threshold",
      "note": "NOTE.md gates table does not separate thresholds; they are inside each value where the report states them"
    },
    {
      "field": "run-log",
      "note": "preview of mohawalat-fahm-france_reel_9x16_66s_v8_free-font.mp4 not embedded: the preview came out at 4.5 MB, over the 4 MB limit"
    },
    {
      "field": "run-log",
      "note": "masked in the export: 0 keys or tokens, 0 email addresses, 0 phone numbers, 2 absolute paths (ice/log/conversation.jsonl keeps the verbatim text)"
    }
  ],
  "exported": {
    "media": true,
    "ffmpeg": true,
    "at": "2026-10-29T17:02:12.593Z"
  }
}